{"id":2289,"date":"2015-03-02T01:37:07","date_gmt":"2015-03-02T01:37:07","guid":{"rendered":"https:\/\/www.desdemona.org\/blog\/?post_type=avada_portfolio&p=2289"},"modified":"2025-03-30T06:06:15","modified_gmt":"2025-03-30T06:06:15","slug":"edith-can-shoot-things-and-hit-them","status":"publish","type":"avada_portfolio","link":"https:\/\/www.desdemona.org\/blog\/portfolio-items\/edith-can-shoot-things-and-hit-them\/","title":{"rendered":"EDITH CAN SHOOT THINGS AND HIT THEM"},"content":{"rendered":"

EDITH CAN SHOOT THINGS AND HIT THEM<\/h1><\/div>

by A. Rey Pematmat<\/h2>\n<\/div><\/div><\/div>

Crowded Fire Theatre Company
\nSan Francisco, CA<\/h3>\n

Scenic: Deanna Zibello
\nCostumes: Ray Oppenheimer
\nLighting: Megan La Fleur
\nSound: Madeleine Oldham<\/h4>\n<\/div><\/div><\/div>
\n

\u201c\u2026a luminous production by Crowded Fire Theater under the assured and sensitive direction of Desdemona Chiang\u2026 It\u2019s easy to fall in love with this trio of vulnerable, needy and tough-minded kids, so beautifully played by these three young adults\u2026 irresistibly charming.\u201d<\/p>\n<\/div><\/div><\/span><\/blockquote>

Jean Schiffman<\/strong>, <\/span>SF Examiner<\/span><\/a><\/span><\/div><\/div>
\n

\u201c\u2026an unusual coming-of-age story with its characters largely free of adult guidance and authority\u2026There is a low-key charm to Pamatmat\u2019s examination of three young lives as they learn both easy and hard-won truths. There is also considerable humor that flows as this trio stumbles forward and their inexperience collides with an often-misplaced self-confidence\u2026 Desdemona Chiang\u2019s unhurried staging provides a tender entry into this adult-free world, and also gives the actors a chance to establish their characters in small but delicate strokes.\u201d<\/p>\n<\/div><\/div><\/span><\/blockquote>

Richard Dodds<\/strong>, <\/span>Bay Area Reporter<\/span><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2291,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[4],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-2289","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-theatre"],"_links":{"self":[{"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/avada_portfolio\/2289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/comments?post=2289"}],"version-history":[{"count":1,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/avada_portfolio\/2289\/revisions"}],"predecessor-version":[{"id":2290,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/avada_portfolio\/2289\/revisions\/2290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/media\/2291"}],"wp:attachment":[{"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/media?parent=2289"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/portfolio_category?post=2289"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/portfolio_skills?post=2289"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.desdemona.org\/blog\/wp-json\/wp\/v2\/portfolio_tags?post=2289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}