Boom’s upcoming production, a reading of celebrated German playwright Roland Schimmelpfennig’s The Golden Dragon, further illustrates that combination of elements—what Wikler-Luker calls her “magic potion.”
It's hard to find a play about feminism that would be controversial in Berkeley, California. But Rapture, Blister, Burn by Gina Gionfriddo, which this week begins previews at the Aurora Theatre Company, might just qualify.
The University of Washington School of Drama announced today that alumnus Desdemona Chiang will return to her alma mater to direct Tom Stoppard’s The Real Inspector Hound, to open the season at the school’s Floyd and Delores Jones Playhouse.
The Triangle Lab recently sat down with Artist-Investigator Desdemona Chiang to discuss her QR code project. Read below for her discussion of technology, new play development, and participatory theatre.